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“It was kind of wrapped up in that moment,” he says cautiously. It’s about Boris Johnson and his cronies, right? ‘ Lies, denial, corruption, criminals,’ Matt roars, seemingly channelling the ire of a nation at the venality and incompetence of the ruling elite over the past 18 months. One of the album’s standout tracks is Bastards, a song that’s as anthemically blunt as its title. “It meant we could focus on really working on these songs, getting them right.” They had always planned to take 2020 off, but suddenly all deadlines went out of the window. For Bullet, he says, the pandemic was more of a help than a hindrance. He’s understandably more enthusiastic on the subject of his band’s new album.
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At one point he says, “Do we have to talk about money?” in response to a question about how much his first, presumably measly royalty cheque was for. But he’s a cautious interviewee – not unfriendly, but not given to big, dramatic statements or revealing too much of himself. He looks healthy, even a little tanned, like a man who has enjoyed a surprise holiday.
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It’s lunchtime and we’re sitting in a cosy pub in the backstreets of the well-heeled part of West London where Matt lives. It’s just that transitional period is over,” he says, referring to the line-up changes that saw bassist Jamie Mathias and drummer Jason Bowld brought in to replace original members Jay James and ‘Moose’ Thomas between Venom and Gravity (a reluctance to talk about the latter pair today suggests there’s still tension between the various camps). It’s still myself leading the charge and writing stuff. The party line is that this is the sound of Bullet For My Valentine V2.0, though it doesn’t sound radically different to Bullet For My Valentine V1.0 – just meaner, leaner and in no mood to mess around. A 10-track, 45-minute assault of ferocity and intent, it dispenses with the stylistic wriggles that defined the last three albums and goes straight for the throat. He also managed to make the best Bullet For My Valentine record of the last decade in the shape of their self-titled seventh album. “I didn’t get too caught up in it emotionally or get stressed out about it,” he says of the Covid situation. He was running 10K a day until he got a stress fracture in his shin, which put him out of action for 10 weeks. He helped home-school his son and did Joe Wicks’ online workouts. The unexpected pause allowed him to do the kind of regular-person things successful working musicians don’t normally get to do: cooking, cleaning, spending more time than usual with his family. Matt Tuck has had a good pandemic, if anything defined by widespread tragedy, untold misery and spiralling anxiety can be called ‘good’. Bullet For My Valentine bring back the heavy with new self-titled album.Every Bullet For My Valentine album, ranked.Matt Tuck's track-by-track guide to Gravity.It was a joyous moment, for the crowd and for us.” “It had gone so well, everyone’s vibing and having a good show,” he says. Very weird.”īut things really hit home towards the end of their electrifying set.
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“It was very familiar and unfamiliar at the same time, like the past 18 months hadn’t happened. He was excited and nervous beforehand, “which I hadn’t felt for a long time,” he says. “We were aware of the situation, aware of what it meant for live music and aware of what it meant to us,” says Matt. It was a reduced-capacity gig, and a mainly British line-up, but that didn’t matter.
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Download Pilot was the first major British music festival to take place since the pandemic hit, and Bullet topped the bill on the third and final night.