Morning Glory inspired from Victorian age, take a culture of fashions, politic and art its really great font for your band, company, label, clothing company, vintage or classic stuff, etc. These fonts show that when it comes to creating impact in design, the words do have it as well. These fonts disprove the belief that written content is not exactly part of the design team’s problem. Look at how well they work with your design ideas and see how big if a difference they can make on your overall design. Beautiful Vintage Fontsīelow are 35 beautiful vintage fonts that you can use for your design. Everything else behind and around it may look vintage, but applying a modern font on top of it all could ruin the daydream for most of them. This is how huge the impact of your font choice is. You want them walking around when skyscrapers barely reached half of the tallest buildings today. You want them remembering milk shakes and burgers at the diner with all those roller skating waitresses moving around in time with the boogie music. You want your audiences reading the text on your design as if they were back in the Old West, waiting for the next carriage to come along. It has to be about the design as a whole, with each small element having that vintage touch. It’s not just about the use of old photos and neutral colors.
Well, vintage design is not just about faded images and rough textures. What does your font choice have to do with anything? It is this kind of inspiration that is seen when you use different vintage fonts, showing you that the forefathers of design definitely knew what they were doing. It is this definition of vintage that has inspired so many designers all over the world, allowing them to make the most out of what the earliest designers created. People hear the word ‘vintage’ and they see something classical, something that’s handpicked and considered superior, something that has been tested through time, something that will never go out of style. Mention vintage nowadays and a different impression comes to mind. Otherwise, vintage designs would never have received the kind of attention that it deserves. It’s a good thing that design trends evolve through time. People were in such a rush to move into the future that anything related to the past was considered as a hands-off zone. You mention vintage in any crowd and they think old, tired, and uninspiring. (Of course, there was also Ron Wayne’s logo that predated this one, but if we just stop drawing attention to it, maybe it will go away.Vintage used to have a different appeal. You might recognize it, even if you don’t realize you do, as the font used by Reebok, thought it was chosen for Apple, according to Rob Janoff who designed its logo, for its “playful qualities and techno look,” something that underscored Apple’s mission to make technology accessible to everyone. It was called Motter Tektura, and here it is adorning some original Apple logo stickers I bought via eBay: There was, though, one other, earlier corporate typeface that Apple used before even Garamond was adopted alongside the introduction of the original Macintosh. These, though, were fonts used for Apple’s OS’s interfaces, not for the corporate identity of the company itself, as Garamond and Myriad were.
#Old school 60s fonts mac os#
Chicago, for one, the originally bitmap face designed by one of my all-time design heroes, Susan Kare, as well as Lucida Grande (used from Mac OS X’s inception up to Mavericks), and even Mac OS 8 and 9’s Charcoal. Although Garamond and Myriad are the two fonts most associated with Apple, of course there are many others.